Monday, 24 December 2012

The Tree of Life trailer


After nearly thirty years away from Hollywood, famed special effects supervisor Douglas Trumbull contributed to the visual effects work on The Tree of Life. Malick, a friend of Trumbull, approached him about the effects work and mentioned that he did not like the look of computer-generated imagery. Trumbull asked Malick, "Why not do it the old way? The way we did it in 2001?"[22] Working with visual effects supervisor Dan Glass, Trumbull used a variety of materials for the creation of the universe sequence. "We worked with chemicals, paint, fluorescent dyes, smoke, liquids, CO2, flares, spin dishes, fluid dynamics, lighting and high speed photography to see how effective they might be," said Trumbull. "It was a free-wheeling opportunity to explore, something that I have found extraordinarily hard to get in the movie business. Terry didn't have any preconceived ideas of what something should look like. We did things like pour milk through a funnel into a narrow trough and shoot it with a high-speed camera and folded lens, lighting it carefully and using a frame rate that would give the right kind of flow characteristics to look cosmic, galactic, huge and epic."[23] The team also included Double Negative in London, under the supervision of Paul Riddle, who handled the astrophysical aspects of the segment. Fluid-based effects were developed by Peter and Chris Parks, who had previously worked on similar effects for The Fountain.
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The Tree of Life wallpaper

In the present, adult Jack leaves work. Riding the elevator down, he experiences a vision of following his young self across rocky terrain, in the far distant future in which the sun expands into a red giant and a feeble white dwarf. Jack tentatively walks through a wooden door frame, erected on the rocks. On a sandbar, Jack sees images of death and the dead returning to life. He is reunited with his family and all the people who populate his memory. His father is happy to see him. He encounters his dead brother, whom he brings to his parents. Accompanied by a woman in white and her younger self, Mrs. O'Brien looks to the sky and whispers, "I give him to you. I give you my son."     watch more

The Tree of Life wiki


A mysterious, wavering light, resembling a flame, flickers in the darkness. Mrs. O'Brien (Jessica Chastain) recalls a lesson taught to her that people must choose to either follow the path of grace or the path of nature. In the 1960s, she receives a telegram informing her of the death of her son, R.L., aged nineteen, in military service. Mr. O'Brien (Brad Pitt) is notified by telephone while at an airport. The family is thrown into turmoil.
In the present day, the O'Brien's eldest son, Jack O'Brien (Sean Penn), is adrift in his modern life as an architect. One day he apologises to his father on the phone for an argument about R.L.'s death. In his office, Jack begins reflecting and we see shots of tall buildings under the sky, Jack wandering in the desert, trees that stretch from the ground up to the sun high in their leaves and scenes from his childhood in the 1950s that all link together and lead back to the flame    watch more

The Tree of Life cast


The Tree of Life is a 2011 American drama film with experimental elements written and directed by Terrence Malick and starring Brad Pitt, Sean Penn and Jessica Chastain. The film chronicles the origins and meaning of life by way of a middle-aged man's childhood memories of his family living in 1950s Texas, interspersed with imagery of the origins of the universe and the inception of life on Earth.
After several years in development and missing 2009 and 2010 release dates, the film premiered in competition at the 2011 Cannes Film Festival, where it won the Palme d'Or. Critics were divided about the film. Some critics praised it for Malick's use of technical and artistic imagery, directorial style, and fragmented non-linear narrative. Others criticised it for the same reasons. In January 2012, the film was nominated for three Academy Awards: Best Picture, Best Director, and Best Cinematography. In the 2012 Sight & Sound critics' poll, 16 critics voted for it as one of their 10 greatest films ever made; this ranked it at #102 in the finished list. Five directors also voted, making the film ranked at #132 in the directors' poll
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